Wednesday, January 29, 2020

Non-Art in Popular Culture Essay Example for Free

Non-Art in Popular Culture Essay When discussing art in popular culture there are very few boundaries to adhere to. Almost any form of media can be considered as art. But not all works are good examples of art and there are several determining factors that help to decide on the artistic quality of a piece. This essay will discuss in response to the above quote the identifiable characteristics of what could be considered art in contemporary pop culture. It will deconstruct the some of the most prominent types of art in popular culture including street art, music video and advertisements or commercial art. And under which circumstances are they considered to be art whether this is the intention of the piece, or the creative process that surrounds it or simply the aesthetic values that it holds. It will also discuss if works produced solely for commercial propaganda are still considered art. And if the artistic values of the work are influenced on the environment in which it resides. These three determining factors will help distinguish between art and non art in contemporary pop culture. Art in popular culture varies widely in a range of creative forms and media. Popular culture or ‘pop’ culture has a heavy influence on much of the works that are created by artists today. (Gibbons, 2005, p. 1) These include all forms of street and public art including graffiti and stencil art that often make statements on pop culture. And also in a more formal environment including galleries and art museums where there is a large array of contemporary works which reflect on these elements of consumerism. There are numerous well recognised artists that have concentrated much of their practice on consumerism and culture. Andy Warhol, is a founder in bringing consumerism to the high art scene in the 1960’s (Livingstone 1992), something that had not being done before. A more recent take on this concept is Takashi Murakami and the art movement ‘Super Flat’ which concentrates on Japanese pop culture and particularly anime and manga. (n. a 2009 Superflat art) Art is not only influenced by popular culture but it makes up a large part of influential media for popular culture. This form of art can be recognised directly in advertising, music, music videos, cartoons and any other form of media that creatively puts forth a message, more often that not for commercial propaganda. This is not always the case but this lower form of more accessible art is completely open to the public because it is not hemmed in by the confines or laws of the gallery system or the museum. (Stowers 1997) And it quite often forced into peoples lives, by occurring in a public space society are forced into viewing these creative works that promote popular culture through advertisements billboards television radio and generally in any public space just as they are exposed to graffiti art and vandalism. More often than not the environment in which the artwork resides in impacts the values that people give the piece but this is not the only thing that should be considered when depicting the piece as several factors impact the merit of the work. These can include the creative process involved, the purpose of the work and the aesthetic values of the final piece. (Johnstone 2006) The creative process that is involved in creating an art piece may have huge effects on the final outcome. In some cases it’s the process that is the work, in others cases it can be just important in developing the meanings and values behind the work and also some pieces may not be understood fully until the intentional processes are understood. The creative process has being described in four steps these are Preparation, Incubation, Illumination and Implementation. (Charlie, 2008) Going through this four step process is not always occur consciously but has an impact on the outcomes. (Konradsson 1999) Pieces that do not have a creative intention or process behind them can be severely limited in creative outcome and therefore have limited merit as art. In this case it severely relies on the aesthetic values that other people then place on the work. And if it has little appeal in terms of colour, line, balance, rhythm and other principles and elements and no creative meaning then is generally not considered to be art. The purpose of the work can also impact the process of how a piece is created. Depending on whether it is for commercial use or purely artistic intentions there can be a lengthy design process which is very calculated in terms of design. The final impact the work is strongly controlled through the elements and principles of design. This is generally used in commercial art such as illustration, graphic design, and advertising and communication media. All these forms of creative work hold artistic value but are not necessarily considered art to the general public as it is not presented as art but takes on a different primary form, advertising. (Gibbons 2005) This is a similar concept as street art or graffiti as it generally seen as a form of vandalism and can be considered as an eyesore. Though people are more likely to see graffiti for its artistic values and intentions as it dose not generally hold the same connotation as advertising. The reasons and values for why one might engage in graffiti art are as varied as the artists who produce it. A chief reason is the â€Å"prospect of fame and recognition of ones artistic talent. Graffiti is also a form of self expression. The art as writing is a creative method of communicating with other writers and the general public. † (Stowers 1997) What it communicates is the artists identity, expression, and ideas like all other art forms but is forced into the public eye unlike art in a gallery. Graffiti is fast becoming popular as a preferred art form of many contemporary artists and hold the same fundamental artistic intentions as any other art form. As art we see in galleries have purely the intentions of being art we are more likely to consider that it is art. (Hester 2007) And we find some way of connecting to it via feeling and aesthetic value or the appreciation of the process. The placement of a piece in relation to its surroundings also impacts on the effect it has for example seeing an advertising piece in a gallery we would assume it to be art and created to make a statement about advertising. Where as if it were to be place on a billboard we would consider the primary reason is the promotion of a particular product. It is very difficult to define what art is exactly. According to many artistic directors and critics there is not one single definition of art. Art historian Robert Rosenblum believes that the idea of defining art is so  remote [today] that he doesnt think anyone would dare to do it. (Witcombe n. d)And that more or less anything can be considered as art. † (Witcombe n. d) Goldmans aesthetic theory (2005, 345) is of use to clarify the problem of location and presentation in relation to graffiti art. Goldman ( 2005, 346) claims that ‘art takes us to other worlds in a manner that is quite fulfilling sensually and aesthetically’ The are many determining factors that help us see the artistic values in works how we as individuals read and interpret these through out the work is a matter of pure personal opinion. Some personal factors that establish our opinions on creative works are our knowledge and understanding of art or a piece in particular, likes and dislikes and how we relate to the piece. This combined with the values of the piece that include; the process, the intention, the environment in which it is placed and the visual aesthetic values of the work determine how we personally consider the impact of the work. Many people consider art as something appealing to the eye or ear but much of contemporary art is not like this and a greater understanding of the work is needed to gain an insight to the values is holds. (n. a. 2009) For most people when art becomes hard or impossible to understand right away we tend to question its merit. This is particularly the case for graffiti as some may argue (Stowers 1997) even when it is in a gallery environment it is too hard to understand, though this should not be a determining factor to deciding whether is considered art as many art work considers deeper intrinsic values. Most of the opposition to graffiti art is due to ‘its location and bold, unexpected, and unconventional presentation,’ (Stowers 1997) but its presentation and often illegal location does not necessarily disqualify it as art either. The major determining factor is the creative value â€Å"the ability to produce complicated pieces is what separates the tagger from the graffiti artist; graffitist for short. Taggers scribble and graffitists do art. † (Stowers 1997) So as we can see there are many different forms of art in contemporary pop culture including those that are influenced by pop culture and those that influence pop culture. These can be all forms of Digital Media, advertising, illustration and music as well as art we see in galleries and street art. Not all have the primary purpose of being art but all hold artistic and creative values that can be seen through the process the intention the aesthetic qualities and the surrounding of the work. Some seem to have the primary purpose of being only art while others are created for commercial propaganda. While the pieces that are generally considered art by the public, have a better aesthetic quality and are initially easier to understand there can not be any set connotations as to what it to be determined as art or non art. And that it is purely what importance, feelings and values the individual viewing the work sees. Reference List Charlie, 2008. Demystifying the Creative Process http://www. productiveflourishing. com/demystifying-the-creative-process/ (accessed 28/04/2010) Gibbons,J. 2005 Art and Advertising. P. 1-12 New York: I. B Tauris co Ltd Goldman, A. 2005. Aesthetic Qualities and Aesthetic Value . in Aesthetics critical concept in philosophy J. O Young, p. 345-349 Oxon: Routledge. Hester, N 2007. Low and High: What is Art Anyhow  http://www.monstersandcritics.com/

Tuesday, January 21, 2020

Managing Diversity Essays -- International Management

International management refers to the pursuit of organizational objectives in more than one nation. International management has evolved as a discipline of increasing importance in recent years. The underlying reason is that the corporate community is becoming more and more diverse. Improvements in transportation and communications and lower production costs in many countries around the world have made global markets more accessible. Although United States-based firms have immediate access to huge domestic markets, they have steadily increased the proportion of their foreign markets. It has been estimated that about 10 percent of all jobs in North America are dependent upon export and import trade. Other indicators, including foreign investments, profits earned overseas, and fees and royalties paid to firms abroad, point to an increase in corporate internationaliza ¬tion. Next we will look at some of the challenges facing managers who work in an international environment. CHALLENGES AND PROBLEMS FACING THE INTERNATIONAL MANAGER A host of interacting and overlapping forces create problems for the manager in an international setting that are infrequently faced by the manager who works for a company doing business in only one country. The term infrequently is chosen because some countries are so large geographically that they contain radically different subcultures within their own boundaries. We will summarize 11 factors that the international manager may have to m...

Monday, January 13, 2020

How Electricity Is Produced

1.How is electricity produced? The most simple way of producing static ekectricity is by rubbing or friction. When you rub two different kind of materials that are insulator, you can transfer electrons from one substance to another. Nowadays, to create electricity we use battery and generators. Voltage can be made by heart, light or mechanical pressure. 2.Where and how is electricity used? Electricity gives us ability to produce heat, which is essential in our life. Electricity makes heat and used in toasters, soldering irons and almost every machine. A very useful property of electricity is that it is a source of a magnetism. Electrons flow through wires which is how telephones, loudspeakers could work. Without electricity, we will be living in a place where there is no light at night. For a power source to work we need ‘energy', just like the human body needs energy to function 3.How was it discovered? Electricity was first discovered by a greek philosopheres. They discovered when amber was rubbed against the cloth, light weight objects stuck to it. Moreover, Benjamin Franklin flew his kite during a thunderstorm and when lightning flashed, the spark transferred from the key to his wrist. He could had easily been killed from electric shock. Without these people, the discovery of light bulb would have been impossible. 4.What is electricity how does electricity flow? Electricity is a flow of tiny particles called electrons which can travel through wires. â€Å"Electron current† the name of this flow. Just like water, which can only flow down a hill, an electric current can only flow if there's something pushing the electron.

Sunday, January 5, 2020

Louisa May Alcott Little Women in a Mans World Essay

Louisa May Alcott shows a great deal of herself throughout the novel, Little Women. She shows many parallelisms between the fictional character Jo and Louisa May Alcott. The novel is an example of their similar personalities, appearances, and life experiences. Louisa was very dramatic and comical throughout her life time. Jo March is the perfect character for Louisa to portray. She exemplifies how life was during the 19th century in America. Through the characters of Little Women, Louisa May Alcott illustrates her struggle as a woman writer in a male dominated society. Jo March, the protagonist of Little Women, has a similar childhood to Louisa May Alcott. â€Å"Jo is the perfect part for Louisa to play† (Carter). Louisa uses these†¦show more content†¦Lizzy was Beth, who both died. And Amy is the youngest of the sisters and is recollection of Louisa’s baby sister May† (Morrow). In Little Women, the story is created around four sisters and their experiences while growing up in the early 19th century. â€Å"To Louisa, Jo offered certain theatrical advantages. She didn’t need to invent the plays the March girls put on in the parlor. Those were genuine melodramas from her own childhood† (Carter). Louisa portrays her childhood through literature. Jo March, the heroine in Little Women, is quite different from her three sisters. In the novel, Jo is portrayed as this masculine and adventurous means of thinking and acting, unlike her sisters’ proper lady behavior that society expects of women. Because her father is always away at war, Jo refers to herself as the man of the house. She constantly was told to stop her boyish mannerisms. Jo’s adventurous behavior is recaptured from Louisa’s retellings in her journal. Louisa writes, â€Å"No boy could be my friend till I had beaten him in a race, and no girl if she refused to climb trees, leap fences, and be a tomboy† (Cheney). This just shows the similar behaviors and actions of Jo and Louisa. Other features of Jo in the novel were constantly compared to her prettier sisters. Her best feature is told to be her long hair. In the novel, Jo trades in her hair for money neededShow MoreRelatedTranscendentalism : The American Scholar1658 Words   |  7 Pagessu fficient to make him an inspired prophet.[2] Similarly, they rejected the widely accepted notion that man’s knowledge came primarily through the senses. To the contrary, they believed in internal, spiritual principles as the basis for man’s comprehension of the world. These formed the basis of the â€Å"conscience† or â€Å"intuition† that made it possible for each person to connect with the spiritual world. When man thus moved above or beyond—â€Å"transcended†Ã¢â‚¬â€the cares and concerns of the mundane, lower sphereRead MoreHenry David Thoreau4404 Words   |  18 Pagesand rustic, though courteous manners, corresponding very well with such an exterior. But his ugliness is of an honest and agreeable fashion, and becomes him much better than beauty .Thoreau wore a neck-beard for many years which he insisted many women found attractive. Early life and education He was born in Concord, Massachusetts, to John Thoreau (a pencil maker) and Cynthia Dunbar.David Henry was named after his deceased paternal uncle. He had two older siblings, Helen and John Jr., andRead MoreChildrens Literature13219 Words   |  53 PagesConclusion 30 8. Summary 31 Children’s Literature Definitions 31 The Ancient World [ancient Rome; 50 BCE to 500 CE] 31 The Middle Ages [500 to 1500 CE] 31 The European Renaissance [1500-1650 CE] 32 The 17th Century 34 The 18th and Early 19th Centuries 35 The Victorians: The Golden Age 36 Twentieth Century: Widening Worlds 38 9. Bibliography 38 1. Introduction In 1817 Robert Bloomfield, author of The History of Little Davy’s New Hat, wrote: ‘The longer I live †¦ the more I am convinced of the importanceRead MoreBelonging Essay4112 Words   |  17 Pagessocieties, by different composers through their use of language modes, forms, and their relevant structural forms and language features engage personally with their texts and draw on their own experience make connections to their perceptions of the world and the worlds represented in the texts. Waverley Library database Log on to the database Literature Resource Centre - HSC English Syllabus via the Waverley library home page either though the internet in the library or at home using your library cardRead MoreA Dialogue of Self and Soul11424 Words   |  46 Pagescollaborated on No Man’s Land: The Place of the Woman Writer in the Twentieth Century, Sex Changes and Letters from the Front with the aim of using feminist criticism to understand the achievements of British and American women in modern times. More recently they have also co-authored a collection of poetry, Mother Songs (1995), for and about mothers. The Madwoman in the Attic was a landmark in feminist criticism. It focuses almost exclusively on the issue of gender in relation to women, though it